Toggling through Helvetica Now text, display, and micro This interview has been edited for clarity and brevity. To learn more about what’s different and new in Helvetica Now, I spoke with Charles Nix, the type director at Monotype. It’s a tremendous overhaul that saw Monotype redraw every single one of Helvetica’s nearly 40,000 characters to be easier and more enjoyable to read, with a particular emphasis on going small: the kind of text you see a lot more of these days on your smartphone or pill bottle. It’s that wide array of uses that partly inspired Monotype, the oldest type company in the world and the one that currently holds the rights to Helvetica, to update the storied font for the 21st century. It’s the official typeface of New York City’s subway system, and if you’re reading this on The Verge, you’re mostly reading stories constructed of Helvetica right now. Even if you’re not familiar with the font, you’ve definitely seen it - it’s used for everything from brand logos to books and magazines to the print on labels. Helvetica is one of the most well-known and oft-used typefaces, and it just got a big refresh.
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